Boston.com: Rousing program from Russians
Lande’s Tchaikovsky was painted in similar strokes: bold, brash, and at times bombastic. It was also the fastest Fifth I’ve ever heard, barely 40 minutes. The finale sounded more like a confident proletariat striding forward into their shiny new future than the composer’s anguished struggle to achieve E major.
But the passion of the Andante cantabile recalled Serge Koussevitzky’s legendary 1944 BSO recording, with a limpid, russet-colored opening horn aria and luscious solos from oboe and bassoon. A quick listen afterward to the orchestra’s just-released recording of this symphony (on Canada’s Marquis label) confirmed my good impression of the playing.